They wanted a gazebo on top of a platform, with two bridges extending from it so the actors could walk across,” he says. In his last job, a five-and-a-half-year stint as technical director of Arena Stage in Washington, D.C., one production called for a full bandstand to hover above the stage. Moments later, Schreck reveals that he may, in fact, possess gravity-defying powers. “Then I go, ‘I’ll tell you what, let me work on that antigravity device for you.’” He’s talking through the joys and difficulties of translating artistic visions to brick and mortar, his principal mission as technical director of the Santa Fe Opera. “They’ll say, ‘Why won’t it just float there?’” Scott Schreck says with a little smirk. The Exodus Ensemble Will Upend Your Reality.Shawn Skabelund Explores Ecological and Cultural Destruction at Coconino Center for the Arts.Ho Baron’s 50-Year Retrospective of Outsider Art in El Paso.In i know you are, but what am i?, Artists Turn Taunts into Self-Empowerment.Santa Fe’s Multicultural Mural, Version 2.0.Country’s Largest Mexican Retablo Collection, Once Stored Underneath Bleachers, is Paired with Contemporary Devotional Works.Salt Lake City Bids Farewell to John Sproul’s Beloved Nox Contemporary.Amelia Bauer: 12 New Mexico Artists to Know Now 2022.
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